We asked him about one of his most challenging restoration projects, and he highlighted the Sympathique clock, which was initially deemed “unrestorable.” Parmigiani described the restoration of this Breguet clock as a significant feat. Despite doubts about its restoration, a collector from Basel, Switzerland, trusted Parmigiani's skills, stating: “I know someone who can make it happen”.
Michel Parmigiani faces a dilemma: Does he prefer restoring watches or creating new ones? Known for his mastery in both, he often contemplates this question. He cherishes the art of restoration, bringing historical timepieces back to their former glory. At the same time, he enjoys the innovative process of designing and crafting his distinct watches.
The soft-spoken Swiss responds through an interpreter: “I like both, as they offer two very different experiences. Restoration involves bringing back and enhancing something from the past, reviving it to learn and understand the techniques of watchmakers or creators from that era. On the other hand, creating my own timepiece allows me to express my creativity.” He also mentions that in restoration, one doesn’t express one’s creativity but reinstates something created by someone else. Nonetheless, restoration and creation are activities he enjoys.
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